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I’m Knocking at the Door I Shut

17/10/2025
1w
I’m Knocking at the Door I Shut
“Dad,” I am saying, “I’m sorry.” It is always coming out too small, like a whisper swallowed by a big room.Image source:pinterest FILE | Courtesy
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ByBustani Khalifa

Key Take-aways from this Story

    • I am living with the echo of leaving and the heavy rehearsal of apology.
    • Reaching out feels like learning a new language where every sentence is a risk.
    • I am holding memory, shame, and love in equal, awkward measure.
    • Practical gestures and letters are competing with the terror of face-to-face vulnerability.
    • The real fear is not the refusal — it’s the unknown that follows the first honest word.

The night I left — and the quiet that followed

 


I am remembering the exact weight of the suitcase handle, the way the hallway light was spilling over the stairs like a witness. I am leaving like a tide pulling back — abrupt, irreversible-seeming. 

 

I am telling myself it’s a break, a space for breathing, a moral distance. But the truth is simpler and uglier: I am being scared into motion. He was stern; the house was full of rules that were colliding with the version of me that was asking for something else. So I am walking away to protect something — myself, I think — and the house is keeping a silence that is turning into a wall. Days are stretching. I am not calling. He is not calling. Time is folding into a landscape of missed silences and slammed doors. Now, every night, I am replaying how the door clicked behind me and how that click is echoing in my chest.

 

 

How I am rehearsing the first words
I am standing at his gate in my head a thousand times. “Dad,” I am saying, “I’m sorry.” It is always coming out too small, like a whisper swallowed by a big room. I am trying different scripts: blunt honesty, a soft explanation, a tearful recounting of the reasons.

 

 

 I am practicing saying, “I’m not hating you; I’m not running from you.” But the syllables are tasting foreign — apology and admission are complicated, and pride is thick. I am wondering whether to begin with the simplest confession — I was wrong — or with context — I needed space. I am worrying that any sentence could become a doorway to the old script where his sternness is becoming my guilt. I am fearing that I might be sounding defensive when I am merely trying to be humane.

 

 

The small memory that keeps catching in my throat

 


There is one day I keep returning to: him in the kitchen, hands rough with work, humming the tune he is always humming when he is thinking. He is teaching me how to tie a knot once, patient and rude at the same time, and I am laughing like a child. That memory is stubborn — it is a small thread of intimacy that is resisting my anger.

 

 

 I am clutching it like a talisman, and that makes the apology feel less like capitulation and more like a reclamation. I am wanting him to know I am keeping that memory safe even as I am holding all the reasons I had for leaving. But how do I tell him that without the words turning into an argument about who hurt whom more? I am wondering whether the memory will be medicine or a mockery when I finally voice it.

 

 

 

The things I am imagining him saying — and what I am fearing in my own mouth

 


I am imagining him folding his arms, jaw tight, asking the old, practical questions that are his defense: “Why now?” “Where do you expect to go?” “Who is telling you these things?” He is pragmatic; he is not easily melting into sentiment.

 

 

 

 I am picturing his eyes narrowing the way they always do when he thinks someone is wasting time. And I am fearing that my apology will be met with instructions, not embraces. I am fearing I will be explaining myself into exhaustion. I am also fearing the reverse: that he will be soft, that he will be melting, and that my silence will be more damaging than any stern word. I am sitting in both anxieties at once — terrified of being refused and terrified of being forgiven while the chasm that I built stays unbridged.

 

 

 

The small acts I am rehearsing — practical prostrations and awkward tenderness


I am thinking about showing up with something: his favorite tea, a repaired chair leg, a small cake that he is pretending not to like but secretly loves. I am imagining presenting these as tokens of contrition because my words are still feeling too blunt. 

 

 

I am wondering if gestures are honest or if they are just bandages for something that needs surgery. I am weighing the idea of a letter — because letters can be crafted, edited, and made safe — against the rawness of a face-to-face apology where his breath and my breath will be the only editors.

 

 

 I am thinking of knocking and hanging back and letting him decide whether to open. I am also thinking of dialing his number and hearing the phone ring in my hand and feeling that ring vibrate like a live thing between us.

 

 

 

The shame that is simmering and the stubborn love that’s refusing to simmer down

 


I am noticing the way embarrassment is becoming a collared animal in my chest — ashamed of the childish things that pushed me away, ashamed of the silence, ashamed of my own pride. But alongside that shame, I am carrying a stubborn, inelegant love. It is not the rosy, uncomplicated love of childhood; it is knotted with resentment and gratitude, with fear and a deep, clumsy loyalty. 

 

 

I am trying to explain to myself that wanting reconciliation does not mean forgetting; that apologizing does not mean erasing the past. I am holding both the apology and the claim to self-respect like two fragile cups that I am afraid of dropping.

 

 

 

What I am fearing now — and the question I am leaving at his threshold

 


I am fearing that the first words, once spoken, will be opening a floodgate I am not ready to navigate. I am fearing the quiet that follows an apology — the awkwardness, the sudden normalcy, or the cold new distance. 

 

 

I am worrying that I will be forgiven but not understood, that the thing I am asking for will be sympathy without change. I am also holding a darker worry: that he will not be wanting me back at all, that his sternness is a shelling-out of love that is not wanting reconstruction. So I am rehearsing, but I am also stopping myself from finishing the sentence, because some doors, once opened, do not close the same way.
 

 


I am pausing at the gate with the apology unclaimed in my palm, and I am listening for him — or for myself — to break the silence first.
 

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