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Mugithi sensation Samuel Muchoki, popularly known as Samidoh, has formally resigned from the National Police Service (NPS), ending his career in uniform to focus fully on music.
Inspector-General of Police Douglas Kanja confirmed the resignation, stating that Samidoh is now free to pursue his ambitions without restrictions. His exit puts to rest speculation about his future in the service and halts any pending disciplinary measures over alleged desertion.
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Before his departure, Samidoh served in both the regular police and later the Administration Police’s Anti-Stock Theft Unit (ASTU). His time in uniform was, however, overshadowed in recent years by controversy surrounding his personal life, political chants, and clashes with senior officers.
Samidoh’s police career took a sharp turn when videos surfaced of him leading the opposition-linked “wantam” chant during rallies. This angered senior officers, leading to his transfer to ASTU.
Soon after, the police accused him of desertion, a charge he contested in court, claiming political persecution. Court documents revealed that Samidoh had official clearance to travel to the United States for musical performances, undermining the desertion narrative.
His resignation also comes against the backdrop of political tensions in the Mt Kenya region. Former Deputy President Rigathi Gachagua openly accused several musicians, including Samidoh, of betraying the region after meeting Deputy President Kithure Kindiki. Gachagua even urged fans to boycott their shows.
However, Kindiki defended the artists, emphasizing that they were only seeking government support for the creative industry. Interestingly, Gachagua and Samidoh later reunited during the politician’s US tour, where the singer performed for Kenyans abroad and once again led “wantam” chants.
Now free from the restrictions of police service, Samidoh is expected to dedicate himself fully to his music career, which has seen him rise to become one of Kenya’s most sought-after live performers. His resignation opens a new chapter, positioning him not just as a musician but as a cultural voice navigating the country’s political and social landscape.
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